“How did she come to fall in love with you?” asked Joan. “I don’t mean to be uncomplimentary, Dad.” She laughed, taking his hand in hers and stroking it. “You must have been ridiculously handsome, when you were young. And you must always have been strong and brave and clever. I can see such a lot of women falling in love with you. But not the artistic woman.” “Of course,” answered Joan, “when I’m better. I’m not very well just now. It’s the weather, I suppose.”!

“They would never overtake the farmer,” he answered, with a laugh. “And the last word would always be with him. I am out to get rid of the landlords,” he continued, “not to establish them as the permanent rulers of the country, as they are in Germany. The people are more powerful—just a little, because they are no longer dependent on the land. They can say to the farmer, ‘All right, my son, if that’s your figure, I’m going to the shop next door—to South America, to Canada, to Russia.’ It isn’t a satisfactory solution. I want to see England happy and healthy before I bother about the Argentine. It drives our men into the slums when they might be living fine lives in God’s fresh air. In the case of war it might be disastrous. There, I agree with him. We must be able to shut our door without fear of having to open it ourselves to ask for bread. How would Protection accomplish that? Did he tell you?” A figure was loitering the other side of the street when she reached home. She thought she somehow recognized it, and crossed over. It was McKean, smoking his everlasting pipe. Success having demanded some such change, he had migrated to “The Albany,” and she had not seen him for some time. He had come to have a last look at the house—in case it might happen to be the last. He was off to Scotland the next morning, where he intended to “join up.”

“You think it would prove a useful alliance?” she suggested. “Abner is your second?” suggested Miss Tolley. “I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause.